It’s an interesting question. And if anyone can be expected to answer it, it’s surely Dr Hazrat, whose publisher calls her “one of the world’s foremost authorities on the history and culture of punctuation”.
I was intrigued by her opening remarks, informing us that the ancient Greeks and Romans had no punctuation at all, until the concept was invented by Aristophanes of Byzantium in the third century BC. Suddenly, it seems, western writers had punctuation.
For context, the work of this Aristophanes has been preserved only in fragments, but it seems that he was particularly concerned with Greek texts of the major playwrights destined for the great Library at Alexandria, of which he was a custodian.
So where might we see this marvellous new punctuation?
Here on the left is a Greek papyrus, known as P. Bingen 45. It was written in 33 BC at the court of Queen Cleopatra, around two-and-a-half centuries after Aristophanes’ “invention” of punctuation.
But there’s no punctuation in evidence at all.
Ah, you may say — but Aristophanes was dealing with poetry, not court correspondence. Maybe his punctuation scheme was adopted only for poetry?
Here on the right is a papyrus (P. Mich. Inv. 6972) from Karanis in Egypt, dating from the second century BC, so again after the time of Aristophanes of Byzantium.
It preserves a section of Homer’s Iliad (specifically Book 10, with lines 421–424 on the left and the beginning of lines 445–460 on the right).
The important point to note is that, again, there is no punctuation in evidence at all. The words of each sentence are simply run together.
Of course, in an inflected language like Greek, it is rather more straightforward to pick out where words begin and end. There is little chance that the reader would encounter any ambiguity of the “eats shoots and leaves” sort.
Not so, apparently, for the Romans.
Seneca the Younger seems to allude to punctuation in the first century AD. Deploring the breakneck delivery of the Greek orators, he wrote that “we Romans, even when writing, have become accustomed to separate our words” (Epistles 40.11). But, far from taking their cue from Aristophanes, it seems that this had always been a Roman tradition.
Take the so-called fibula Praenestina, a gold inscribed brooch discovered at Palestrina (ancient Praeneste), near Rome. It is thought to date from the seventh century BC, thus around three hundred years before Aristophanes “invented” punctuation.
The text is difficult to read, because it has been composed in reverse, right-to-left. But the use of dotted word-dividers similar to colons can clearly be seen separating the first word MANIOS (thought to be the craftsman’s name) from the next word MED, and elsewhere in the sentence.
Of course, as every epigrapher knows, monumental Latin has a history of using interpuncts to separate words, usually abbreviated words, in order to simplify the act of reading. This can be seen as early as 270 BC, with the sarcophagus of Lucius Cornelius Scipio Barbatus (CIL I2 7), which was engraved probably a little before the time Aristophanes was “inventing” punctuation.
All of which shows that we shouldn’t get too excited about Dr Hazrat’s claim that the Romans had no punctuation until a Hellenistic Byzantine scholar invented it for them. Quite the contrary. But nor should we assume that the Greeks suddenly adopted a fully fledged system of punctuation in around 250 BC. Clearly, they didn’t.
Postscript
Florence Hazrat (in her book On the Mark: A History of Punctuation) cites no reference for attributing the invention of punctuation to the Hellenistic grammarian Aristophanes of Byzantium. This is frustrating. So much so that I decided to go to the source in search of an answer: the very writings of Aristophanes himself, preserved in ancient Greek, and unfortunately not translated into any modern language.Imagine my surprise to find that the answer lies not in the fragments of Aristophanes’ writings, but somewhere entirely different. Grammarians will, no doubt, know all of this (but it surprises me that none of the ancient texts seems to have been translated).
The answer lies, in fact, in a work “On accents”, previously attributed to one Arcadius of Antioch (ed. E.H. Barker, 1820), though some prefer Theodosius of Alexandria. Specifically, Book 20 Περὶ τῆς τῶν τόνων εὑρέσεως καὶ τῶν σχημάτων αὐτῶν:
“The system of vowel lengths, pitch accents, and breathing marks established by Aristophanes was devised both to distinguish words of ambiguous meaning and to guide the melody and harmony of the voice, as if we were singing while we spoke.
“Consider, too, how each of these elements was naturally and aptly named and characterized, much like musical instruments, since they were destined to serve as instruments for speech itself. For he observed that music, too, indicated melody and rhythms in this way, now relaxing and now tightening, and designating some notes as low and others as high. And whenever we sang, either tightening the pitch to the limit or relaxing it, he called this ‘harsh’ and ‘gentle’.
“In this regard, Aristophanes established these initial marks for the written word, so that a standard, a sign of correctness, would accompany the formation of syllables and words. He then divided the movement of the voice into three aspects: duration, pitch, and breath. He likened duration to rhythm, and pitch to musical tones. He assigned specific signs and names to each.
“For the durations, he designated them as ‘short’ and ‘long’ and devised appropriate shapes: a straight, extended line for the long, and a curved line for the short, appearing to enclose the sound from both sides. For the accents, he named the one that rises straight upwards and terminates in a sharp point resembling a launched arrow the ‘acute’, and the one opposite to it the ‘grave’. And since, in the case of circumflexed words, a high-pitched sound is heard at the onset of the utterance, subsequently shifting towards a low pitch, being nothing other than a blending and fusion of both the high and the low, he concluded that the ‘circumflex’ was composed of these two elements, and devised its symbol accordingly.
“He also devised marks for the spoken word, distinguishing between words that are run together, those that are compounded, and those that are separated, such as assigning the mark now called the ‘apostrophe’ to run-together words, the ‘hypodiastole’ to words separated from one another, and the straight line that we call the ‘hyphen’ connecting compounded elements in joined words. The shapes of these marks, along with the others, will be illustrated shortly.
“Furthermore, he ordained that the stigmê should serve not only the word but also the sentence, providing pauses and intervals for the breath and the voice, and he assigned them specific positions and functions. ...”
So now we know.





























